A Battle In Waterloo

Against the smoke and cannon fire of the Waterloo campaign, a woman named Ellen searches for her missing husband, vanishing into a forest that seems to swallow soldiers and whispers. The film follows her uneasy trek as she moves through ruined farms and shadowy woods, clinging to memory while facing hunger, cold, and daily danger. She must improvise and improvise again, trading quiet emotions for grit as the line between ally and threat blurs. Without giving away twists, the story maintains a relentless pace and a stark, close up look at what war does to a person who simply wants to bring a husband home. Her trail threads through dawn light and dusk, where every sound could save or doom.

Released in 2019 and directed by Emma Moffat, this Waterloo era drama centers on a solitary quest that reframes a famous battlefield through one woman's survival. The storytelling relies on close work with actors and a tactile sense of place.

Box office figures for this title are not widely published, which suggests a limited release and a small audience drawn to intimate historical dramas rather than wide commercial appeal. It may appeal mainly to students and connoisseurs of period cinema.

There are no widely reported nominations or wins for the film, which aligns with its status as a modest independent title rather than a festival darling. The cast delivers restrained, intimate performances, with Buckley and Spiro shaping Ellen and Mary into memorable anchors for the emotional core, for broader audiences.

Critics who have weighed the film note a restrained approach that foregrounds endurance, secrecy, and the moral choices people make when the rules of war fall away. The result is a patient drama that privileges character over spectacle, inviting viewers to read fear and resilience in small gestures and endurance.