A View to a Kill

British intelligence uncovers a breakthrough microchip engineered by Zorin Industries for the British government that can shrug off electromagnetic pulses from a nuclear blast. When the prototype vanishes into the wrong hands, James Bond steps in to uncover the who and the why behind the leak. His inquiry tracks the tech tycoon Max Zorin, a charismatic yet ruthless player who has built a vast business empire on cutting edge science. With money and influence at his disposal, Zorin pursues a ruthless plan to wipe out his Silicon Valley rivals and dominate the market. Bond threads together corporate intrigue, high tech gadgets, and globe hopping action as a deadly scheme moves toward a public catastrophe. Chases cross continents and city streets.

Released in 1985 and directed by John Glen, the film deepens the Bond formula with Ian Fleming's enduring universe at its core. Screenwriters Richard Maibaum and Michael G Wilson shape the plot, blending gadgetry, espionage, and stylish capers on screen.

The movie racked up about 152,427,960 dollars worldwide, signaling strong global demand for Bond's mid 80s escapades. Its commercial run helped cement Moore's tenure as 007 while showcasing high speed chases, lavish locales, and a soundtrack that echoed the era.

Grace Jones's May Day emerged as one of Bond's most quotable visual antagonists with a fearless, athletic presence. Christopher Walken brings a cool menace to Max Zorin, and the pairing with Roger Moore created a stylish counterpoint to the era's glossy action. Iconic stunts and fashion defined 80s Bond scenery.

Critics so-so upon release, with praise for Moore's charm and production polish but some arguing the plot is thin compared with earlier films. The film hammers on themes of corporate power, technological arms race, and the ethics of progress, often delivering satire wrapped in car chases and stunts for fans.