Alive

Two badly hurt survivors wake up inside an abandoned sanitarium, surrounded by peeling walls and dim corridors that seem to close in from every side. A cruel caretaker holds the keys to escape and to a truth the pair may not want to hear. As they struggle to recall how they ended up there, their sense of self unravels and trust fractures in the claustrophobic space. Every doorway becomes a potential trap and every sound echoes like a warning. The building itself feels alive, a quiet antagonist that heightens the tension while the two patients try to assemble shards of memory into a coherent story. The atmosphere stays tense as the night wears on and fear becomes their only constant.

Directed by Rob Grant, Alive arrived in 2018 as an original horror thriller penned by Chuck McCue and Jules Vincent. It features Thomas Cocquerel, Camille Stopps, and Angus Macfadyen, supported by Chantal Perron and Gerrick Winston in key roles.

Box office data for Alive is not publicly disclosed, reflecting its limited release in independent circuits. The film circulated primarily through film festivals and select streaming platforms rather than a wide theatrical run. Its earnings, if any, appeared modest at best.

There are no widely reported awards or nominations for Alive, underscoring its status as a modest genre entry rather than an awards circuit favorite. It did not appear in the major ceremonies, and critics treated it as a lean thriller rather than a prestige project. Some regional genre festivals may have shown interest, but the film did not build momentum toward notable honors. In the landscape of indie horror, it sits alongside stark, uncompromising storytelling.

Critics described Alive as a tense claustrophobic experience that leans into the psychology of captivity and the fragility of memory. The film probes who we are when memory is manipulated, and how trust fractures in close quarters. Its restrained direction, practical effects, and a chilling performance by the cast create a steady mood rather than a flood of shocks, inviting viewers to piece together the clues alongside the characters.