All of You

Laura and Simon have been best friends since college, sharing late night talks, misfires, and a quiet code of trust. Over the years that bond begins to glow with something warmer, a realization that their connection might be more than friendship. They wrestle with the question of whether they should redefine what they have, even if it risks awkwardness, misreads, or losing the easy rhythm of each other’s presence. The film follows their conversations, everyday routines, and moments of vulnerability as they navigate the line between affection and commitment. It hinges on honesty and hesitation, and the courage to pursue a possible love that has quietly existed all along.

Directed by William Bridges, All of You arrives in 2025 as an original screenplay by Brett Goldstein. The film stars Imogen Poots as Laura and Brett Goldstein as Simon, with Zawe Ashton, Steven Cree, and Jenna Coleman in supporting roles. The production uses intimate close ups and a score that emphasizes quiet emotion.

Box office figures are not provided in the available data. As a contemporary romance drama, it may rely on a limited theatrical release and streaming, but no worldwide gross is listed here. The landscape for 2025 releases makes it hard to gauge upfront performance.

No major award nominations or wins are listed in the provided data. Given its 2025 release window, awards attention could shift later, but at this moment the profile emphasizes performances and the emotional resonance of the central relationship rather than accolades. It remains to be seen whether the film resonates with critics and industry voters.

Early descriptions highlight the chemistry between Laura and Simon and the film's restrained approach to romance. Themes include honesty, risk, and the tension between loyalty to a friend and the pull of a shared future. The narrative trusts viewers to read between lines, letting their shifts reveal themselves through small choices, awkward pauses, and quiet moments of sincerity rather than grand declarations. The film makes a quiet, precise argument that love can arrive inside a familiar rhythm without erasing what came before.