All Rascals

On the surface Ishihama appears to be a calculating criminal with a plan to pull off a casino heist. He enlists his wife and his mother-in-law, drawing them into a tight but uneasy scheme driven by money and pride. The plan catches the attention of Tsuneda, a rival would-be robber who is secretly pursuing the same score. Rather than clash, the two groups strike a wary accord and join forces, stitching together competing ideas, nerves, and old family tensions. As the clock ticks toward the attempted break in, trust frays and hidden agendas surface, turning a simple job into a dangerous test of loyalty. The noir mood lingers in smoky rooms and exchanges, reminding us that every choice carries risk. The noir mood lingers in smoky rooms and exchanges, reminding us that every choice carries risk.

Released in 1962, All Rascals is attributed to creators Shinji Fujiwara, Teruo Ishii and Susumu Saji; direction credits are not clearly documented, and the work appears to draw on original crime story sensibilities rather than a specific adaptation.

Box office details for All Rascals are not readily available, so specific worldwide gross and performance figures are not provided in available summaries; distribution histories are likewise not comprehensively documented.

The cast features Ken Takakura and Sonny Chiba, actors who would become synonymous with Japanese crime cinema. Nijiko Kiyokawa, Shinjiro Ehara and Harumi Sone contribute solid profiles that ground the story in ordinary life touched by danger. The film marks a notable moment for genre showmanship.

Critics typically note the film for its crisp plotting and tense dynamics among a makeshift team. Central themes include greed versus loyalty, the fragility of trust when money is at stake, and how family ties complicate even the simplest heist. Its brisk pacing and moral ambiguity invite discussion.