All That

All That is a fast-moving sketch comedy built around a cast of young performers who create silly, loud, and often surreal bits for a kid audience. Each episode strings together short characters and recurring sketches, parodying school life, pop culture, and grown-up routines with exaggerated voices and physical gags. The show mixes prewritten sketches with live reactions from a studio crowd and occasional musical guests, so it feels like a variety hour made by kids. Performers shift between characters quickly, trading punchlines and pratfalls, and the tone stays light and prankish without leaning into darker humor or serialized storytelling.

Premiering in 1994 on Nickelodeon, All That was created by Michael Tollin and Brian Robbins. It was produced as a platform to showcase young comedic talent, running across multiple seasons and later inspiring revivals that returned to the sketch format and youthful ensemble focus.

The series earned recognition within youth television circles and picked up nominations and fan-driven honors at several award events aimed at younger viewers. Those nods reflected attention from both industry voters and the show's sizable kid fanbase, acknowledging the ensemble and production values without major mainstream awards sweep.

Over time All That became shorthand for kid-centered sketch comedy, influencing later programs that put youth performers front and center. Its recurring characters, signature sketches, and goofy catchphrases stuck with viewers who grew up watching, and several alumni went on to broader careers in TV and film. The format also helped normalize diverse casts and fast-paced comedic beats in children's programming.

Critics and fans generally praise the show for its energy and willingness to let young actors try many different comic roles. It holds a 7.703/10 average from 32 votes, showing steady affection from audiences. Thematically it leans into parody of everyday situations, absurd escalation, and playful satire aimed at kids, keeping stories short, direct, and focused on getting laughs rather than long-form plots.