All That Remains

Two Bosnian brothers raised in America return to the homeland for the first time since the war to bury their father. On the road home to Bosnia, memories from the conflict collide with the realities of a transatlantic life and the stubborn pull of family ties. As they confront old landscapes and unfamiliar relatives, the trip becomes a quiet examination of what home means after displacement, and what it costs to belong somewhere again. Directed with restraint, the film builds intimate moments from small gestures and conversations, letting memory and duty shape the path more than any single moment. The film quietly foregrounds small rituals that bind siblings and the memory of a homeland they only partly recognize, they evolve.

Directed by Marko Slavnic and released in 2015, All That Remains presents a compact drama centered on Bosnian diaspora. The cast features Jack Dimich, Brennan Gale, Miraj Grbić, Dane Hurlburt and Lora Kojovic, with a sharp focus on quiet dialogue.

Box office figures are not publicly available, and the film's release appears limited to select markets and festival screenings. This makes mainstream comparisons difficult and obscures its broader impact. Its reception will likely depend on its patient portrayal of grief.

There are no widely documented nominations or wins for All That Remains. The film does not appear on major awards tallies, which often highlight more prominent festival titles, though its intimate focus and performances may resonate with viewers who value quiet, character driven drama. No major nominations are recorded publicly.

Reception is limited in public record, but the film is built around themes of diaspora, memory, and family obligation. It examines how displacement alters identity and how returning home tests faith, loyalty and the balance between past debts and present responsibilities, and a quiet hope lingers after the credits tonight.