All the Devils Are Here

After a heist, four criminals hole up in a safehouse to lay low and wait for their next orders. The quiet is thick with cigarette smoke and clipped conversations as the group negotiates who did what and who owes whom. The routine cracks when a stray piece of information surfaces, and the men start turning on each other in small, ritual gestures. Paranoia grows from whispered theories to shouted accusations, and every door left ajar feels like a trap. Plan to ride out the storm gives way to a game where trust is scarce and the consequences of betrayal echo louder than gunshots outside. The real danger seems internal, a threat that could dismantle the crew without a shot fired.

Directed by Barnaby Roper, the film features Eddie Marsan, Sam Claflin, Burn Gorman, Suki Waterhouse, and Tienne Simon. The project centers on a tight ensemble, with John Patrick Dover credited as creator; source material is not specified, with gritty realism.

Box office data for All the Devils Are Here is not publicly available at this time, suggesting a limited release and a focus on streaming or digital platforms rather than a traditional box office sprint, leaving numbers for releases globally.

As of now there are no major awards listed for All the Devils Are Here. The film has drawn modest attention with an average audience score around 6.0 from 49 votes, indicating a mixed reception rather than a breakout awards push. There could be regional nominations later.

Early impressions are still forming, but the movie clearly probes paranoia, loyalty, and the corrosion of trust within a small crew. Tight performances and a claustrophobic setting sharpen dialogue and heighten suspense as characters weigh loyalty against self preservation. Moments of silence carry as much weight as the loud confrontations.