Amer

Amer follows Ana, a woman whose life unfolds around three charged moments where body, memory, and longing collide. In childhood a hallucinatory episode centers on a spectral encounter with her grandfather, a moment that unsettles her sense of time and safety. As she enters puberty the story opens into a lush yet uneasy meditation on decay and sexuality, where surfaces glitter and danger lingers just beyond the frame. In adulthood she returns to the family home, now empty and crumbling, and the walls seem to hold her secrets and regrets. The film folds memory into dream like images, pairing tactile sensation with stark, shadowy imagery to probe desire and loss without simple answers. The camera often frames bodies as landscapes, with rain, dust and reflections shaping emotion.

Directed by Hélène Cattet and Bruno Forzani; Amer is an original, artful horror thriller that channels the mood and silhouettes of classic giallo cinema rather than adapting a preexisting work. It emphasizes texture and mood over conventional scare sequences today.

Amer stands out for its saturated color palette and kinetic framing that echo late 60s and 70s European thrillers. The film trades conventional scares for tactile atmosphere and hypnotic sound design, earning a place in arthouse and genre circles as a stylish tribute. Its influence extends to mood driven works.

Critics have praised Amer for its texture and mood while noting some narrative opacity. The central themes revolve around body and desire, memory and loss, and the friction between domestic space and personal history, all conveyed through a painterly camera and tactile sound design that lingers.

Box office data for Amer is not publicly available in the provided information, so there is no widely reported worldwide gross to cite.