America Latina

Massimo Sisti seems to have it all a solid career a warm home and a family that feels stable. He is the quiet center of a prosperous suburban life until a shocking event upends the routine. A girl is found bound and hidden in his basement an image that gnaws at his sense of safety and trust. The revelation triggers a chain of uneasy questions for him and the people around him. The film follows the ripple effects inside the house and how each member grapples with fear suspicion and the pressure to keep up appearances. As secrets surface the everyday becomes claustrophobic turning dinner conversations and errands into tests of character. Neighbors drift into the moral fog turning hospitality into suspicion.

Released in 2022 this Italian thriller is directed by Fabio and Damiano D'Innocenzo with Nicola Lusuardi. The film rests on an original screenplay rather than a literary adaptation and showcases a lean tightness in its storytelling. The cast includes Elio Germano and Astrid Casali.

Box office data for America Latina is not widely reported and may vary by territory. It appears to have had a limited theatrical run and may have found a larger audience through streaming platforms, resulting in modest numbers.

Although not a household title yet the film sits within a wave of contemporary Italian thrillers that test how domestic life can mask darker impulses. Its most lasting impact may be conversations about privacy ethics and the price of keeping secrets inside a family. Some viewers discuss the film in online spaces as a mirror to urban anxiety and parental paranoia.

Critics have described the movie as a tight unsettling study of how fear reshapes judgment and erodes trust. The tension comes from moral choices rather than big explosions and the screenplay leans into ambiguity leaving viewers to interpret who is right or complicit. It invites discussion about how much a person should risk for family and what lies beneath a polished surface.