And the Woman Shall Fear Her Husband

A practical relationship turns theatrical when a longterm cohabiting couple decide to marry. The wife, who had been quiet and accommodating, shifts her behavior almost immediately, taking charge of the household and asserting new boundaries. Her sudden change unsettles her husband, whose patience snaps within hours and leads him to request a divorce. The film plays the clash as both comic and tense, tracing how small domestic decisions, pride, and unspoken resentments can escalate quickly when roles and expectations are redefined.

Directed by Yorgos Tzavellas, the 1965 Greek drama-comedy stars Giorgos Konstantinou as Antonis Kokovikos and Maro Kodou as Eleni, supported by Despo Diamantidou, Stavros Xenidis, and Katerina Gogou. It was released in Greece during a busy decade for the country's popular cinema.

Critical response has been generally favorable among viewers who rate it positively on film sites, with a modest vote average reflecting steady appreciation. The film centers on gender roles and marital power, using sharp domestic scenes and humor to probe how identity and authority shift after institutional changes like marriage. Its tone mixes satire with earnest moments that ask whether social expectations or personal pride drive the conflict.

Within Greek film circles the movie is often noted for its frank, sometimes uncomfortable portrayal of everyday marriage, and for performances that balance comedy with straight-faced irritation. Actors like Konstantinou and Kodou were well known to local audiences, so their chemistry and timing helped the picture stick in memory as a slice of mid 1960s popular cinema that comments on changing social norms.

There is no record of major international awards for the title, and it does not appear to have been widely rewarded at prominent festivals. Its recognition has remained more local and critical than formal, with lasting interest coming from viewers and scholars attentive to Greek domestic comedies of the era.