As Ye Sow

Jeanette is the pretty daughter of a hardworking tenement family who envies better-dressed girls. When the flamboyant Carrie offers to lend her gaudy evening clothes and a taste of an easier social life, Jeanette is tempted to accept. She steps out into a brighter, noisier world of lights and company, enjoying attention that contrasts with long days at home. Small pleasures quickly reveal moral and practical costs, and a kindly fallen woman appears to caution Jeanette, laying out the hidden dangers that come with that scene. The film keeps the heroine's choices and their consequences private until the final moments, concentrating on how appearance, desire and survival collide in the city. It reflects storytelling aimed at audiences of the era.

Released in 1913 as a silent drama, As Ye Sow features Blanche Cornwall as Jeanette and Marian Swayne as Carrie, with Darwin Karr and Fraunie Fraunholz in supporting roles. Specific director credits are not provided here, and records are limited.

Box office information for many early shorts and features is scarce, and As Ye Sow has no reliable gross or release-earnings data available in common archives. Many films of the period lacked centralized box office tracking, especially regional releases then.

The film reflects early cinema's interest in moral tales set in urban tenements, using clothing and respectability as symbols of class. While it isn't widely cited today, its plot mirrors social anxieties about women's behavior and city life in the 1910s, reflecting reformist concerns over morality and public order today.

Contemporary reviews are scarce for this obscure title, but the narrative clearly engages with envy, class aspiration and the risks tied to quick social climbing. It also puts forward a charitable viewpoint through the fallen woman, who warns rather than judges, and the film's tone is moralizing yet sympathetic overall.