Austin Powers: The Spy Who Shagged Me

Dr. Evil hatches a plan to steal Austin Powers mojo by traveling back to the 1960s, where his rival’s flamboyant charm could be siphoned away. To stop the plot, Powers follows him into the era of go-go dances, outrageous fashion, and spies with a wink, teaming up with American agent Felicity Shagwell. The chase zips through wild set pieces as Dr. Evil’s minions close in and Powers must outwit them with improvisation, gadgetry, and giggle worthy antics. The movie keeps the tone light and ridiculous, delivering spoof punchlines that riff on spy movie cliches while keeping the stakes playful. Expect quick quips, daring chases, and a sly parody of gadgetry that amplifies both nostalgia and outrageous humor for fans everywhere.

Directed by Jay Roach, this sequel leans on Mike Myers's beloved characters and humor. It follows the original film as a playful spoof of 1960s spy cinema, brought to life by Roach's style, with production design nodding to campy aesthetics.

Made on a 33 million budget, it grossed 312,016,928 worldwide, delivering a solid box office take and solidifying the Austin Powers franchise as a reliable comedy draw. Its success helped secure a third film in the series years later globally.

The movie left a mark on pop culture with signature lines like "Yeah baby" and a bravado fueled by over the top English spy parody. Mini-Me and Fat Bastard became instant icons, and the film helped turn the franchise into a cultural touchstone through memes, costumes, and fan cosplay today.

Critics widely welcomed the film’s brisk pace and Myers's performances, with Roach earning praise for timing and energy. It satirizes spy tropes while keeping jokes accessible, balancing nostalgia with quick one liners, physical gags, and character bits that playfully critique macho posturing without feeling mean. That still resonates with audiences.