Case 137

Stéphanie works in Internal Affairs and is pulled into a high tension protest case in Paris after a young man is badly hurt during a chaotic demonstration. As she pieces together what happened, she searches for signs of excessive force or misconduct by officers. Her scrutiny stays grounded in facts rather than rumors, and she moves through police briefings, witness accounts, and surveillance with a cool, methodical eye. But the more she learns, the more a personal thread appears: the wounded man shares roots with Stéphanie's own hometown. The inquiry shifts from professional duty to questions about responsibility, memory, and the costs of policing.

Directed by Dominik Moll with a screenplay by Gilles Marchand, Case 137 showcases Moll's restrained, precise approach to a contemporary Paris crime drama and features Léa Drucker in the lead as Stéphanie Bertrand.

Box office: No official worldwide gross has been disclosed for Case 137 and the film's earnings have not been widely reported. In some markets it had a limited release and relies on festival play and streaming for visibility.

Awards: No major awards or nominations have been announced for Case 137, underscoring its current status as a provocative, workmanlike thriller rather than an awards season frontrunner. The film's restrained performances, direction, and moral questions could attract attention later, depending on festival exposure and critical reception.

Reception and themes: Early reviews point to a measured procedural mood that keeps duty and accountability at the center while tracing how memory and hometown ties complicate an official investigation. The drama proceeds with deliberate pacing, quiet dialogue, and a restrained camera that lets character and conscience drive the story. It probes moral ambiguity, personal cost, and the pressure policing can place on a single life, using Paris as a dense backdrop where public events and private pasts collide.