Centauro

Rafa lives for the rush of street racing, the line between danger and thrill feels like home. His commitment to speed is total, the track his sanctuary. When the mother of his child gets tangled with drug dealers, he steps off the gas and dives into a risky rescue. He leverages his driving instincts to chase clues and shield the ones he cherishes. The story follows his relentless pursuit through neon-lit streets, where loyalties are tested and every choice carries heavy consequences. The road he knows might not promise escape. Along the way, Rafa confronts a cruel underworld and the costs of protecting what he loves, pushing him toward a breaking point. He learns to read the city's dangers as much as he reads red taillights, a skill that bonds him with others who survive by speed.

Directed by Daniel Calparsoro, Centauro arrives as a brisk Spanish crime thriller with an emphasis on realism. The screenplay credits go to Jérémie Guez, Gael Nouaille and Gemma Ventura, presenting an original story grounded in street racing and danger, anchored by strong performances, with Àlex Monner as Rafa and Begoña Vargas as Natalia.

Critics note the film delivers a lean, kinetic punch with a focus on loyalty, fatherhood and the lure of risk. The energy comes from practical stunt work and crisp urban sequences that keep the audience unsettled as Rafa fights to protect loved ones. The performances, especially Monner and Vargas, help elevate the material.

Box office figures for Centauro are not widely reported, suggesting a modest release outside Spain. No major worldwide grosses are publicly cited, and the film's theatrical footprint remains limited compared with bigger blockbusters.

While not a cultural landmark, Centauro contributes to a wave of Spanish thrillers that place urban landscapes at the center of personal drama. The gritty realism, car culture and morally gray choices resonate with fans of contemporary crime cinema, offering a solid street level adrenaline rush.