Copenhagen

After a long stretch of drifting across Europe, a restless young man arrives in Copenhagen, drawn by his father's birthplace and the idea that his family history might finally make sense. He meets Effy, a hotel intern whose mix of curiosity and blunt honesty unsettles him in good ways. The two set out to locate the last living relative connected to William, letting the city's charm and quirks press against his sheltered worldview. As a quiet, uneasy attraction grows between them, William begins to sense that uncovering the past may complicate the present far more than he anticipated.

Directed by Mark Raso, Copenhagen arrives as an original screenplay released in 2014, debuting at film festivals before a limited theatrical roll out. It marks Raso's breakthrough with a European sensibility, an emphasis on intimate performances, and a story grounded in personal discovery.

Box office details for Copenhagen were modest and largely limited to select markets, with no wide distribution. The film's financial footprint reflects its indie status and the niche audience it attracted. Despite the quiet profile, it found viewers through streaming and word of mouth.

There are no widely reported major awards or nominations for Copenhagen. The film did play at several regional festivals where it drew attention to its mood and performances, but it remained a modest, intimate entry rather than a festival prize contender. Opinions varied, with some praising the direction and natural dialogue.

Critics highlighted the film's quiet mood and the exploration of self discovery through a summer romance set against Copenhagen's landscapes. The story centers on a young man's attempt to reconcile family secrets with his own desires, producing a wistful, character driven drama. The city itself feels like a character, shaping the pace and tone. It leaves you with a gentle sense of possibility rather than easy conclusions.