Deliver Us from Evil

Kim In-nam, a former contract killer trying to leave that life behind, is dragged back into violence when a young girl falls into the hands of a ruthless trafficking ring. He does not chase adrenaline for its own sake, he relies on a hard won arsenal and decades of covert work to track the criminals through the city's neon drenched streets and dim back alleys. The pursuit pushes him into a world where trust is scarce and every ally could be a risk. As the case tightens, In-nam must decide how far he will go to shield an innocent life from a brutal network. Old enemies resurface, and a personal code clashes with the brutal demands of the case.

Directed by Hong Won-chan, Deliver Us from Evil, a 2020 release, follows an original screenplay by Lee Seu-ra. The film marks a mid budget crime thriller approach, blending tight action sequences with a grounded, character driven mood that suits the grim subject matter. The film balances practical effects with tight choreography.

Budgeted at about 12 million, the movie earned roughly 34.66 million worldwide, making it a solid return for a Korean crime drama of its scale. The result demonstrates a favorable balance between budget and audience appeal. Its success in the domestic market highlights strong audience support.

Within Korean crime cinema, the film stands as a lean, no frills entry that favors realism over spectacle. It showcases Hwang Jung-min and Lee Jung-jae in hard edged roles that resonated with fans of veteran led thrillers, reinforcing a trend toward craft over glossy bravura. For genre fans it lands.

Critical reception leaned toward the film's spare efficiency and strong performances, with praise for how the story unfolds through restraint rather than spectacle. Viewers are likely to take away themes about the price of vigilante justice, loyalty under pressure, and the line between professional killers and protectors.