Der Blinde

An unsettling street encounter with a blind man shatters Susan Howard's routine when he unexpectedly robs her of her sense of safety and abducts her. The case is quickly escalated to the highest level of government oversight, who entrusts it to Sir John, the head of Scotland Yard. He assigns Chief Inspector Higgins together with Superintendent Lane to take the lead. What starts as a straightforward disappearance quickly widens into a dangerous web of crime, revealing hints of murder, human trafficking and extortion. As the investigation unfolds, the investigators must contend with manipulation, hidden motives and a system that sometimes protects its own. The search presses forward, casting light on a network that trades in fear and power for now.

Directed by Peter Keglevic, this 1996 crime drama showcases a tight ensemble led by Joachim Kemmer and Julia Bremermann. The project draws on ideas from Simon Borowiak, Hans Kantereit and Axel Marquardt who developed the story for the screen today.

Critically the film sits in the gritty mid 1990s crime wave and is noted for its clinical tone and procedural focus. It explores themes of exploitation, the vulnerability of victims, and the uneasy balance between law enforcement power and real world complicity. This matters because it foregrounds procedures over melodrama.

Der Blinde stands as an austere entry in 1990s crime cinema, valued more for mood and character dynamics than big set pieces. It offers a cool portrayal of urban danger and power plays, appealing to viewers who prefer procedural storytelling over spectacle and city shadows on dimly lit city streets tonight.

The film's box office tally was not publicly released, and no reliable estimates are available from studios or trade sources, leaving readers to speculate. Industry watchers expect a modest result due to its limited release and niche appeal worldwide perhaps.