Edmond

Edmond Burke seems like a plain, successful businessman, but a routine fortune reading unsettles him by hinting at something his life is missing. After a sudden decision, he walks away from his wife and into a world that feels more real to him than his orderly existence. Along the way he meets a cast of strangers and seedy characters who chip away at the guardrails he thought kept his anger in check. As the pressure accumulates, his previously restrained emotions push toward a breaking point, setting in motion a drastic shift that is as troubling as it is revealing. The tone remains clinical and chilly, never tipping into sentimentality. The tone stays precise throughout.

Released in 2006, the film was directed by Stuart Gordon and adapted from David Mamet's stage play Edmond, with William H Macy delivering the central performance. The production gathered a lean ensemble and pursued a gritty, urban feel.

Box office data for Edmond is not widely reported, reflecting its limited release and modest commercial impact. It found audiences mainly through select theatres and home video, rather than a wide theatrical splash. Markets and industry press viewed the movie as a blunt, unglamorous study rather than a crowd pleaser.

For fans of Mamet and Gordon, Edmond offers a stark portrait of urban alienation and repressed rage. Its dialogue snaps with wit and blunt insight, and Macy's performance has a quiet intensity that lingers after the screen goes dark.

Reception was mixed, with critics split over pacing but most agreeing the film makes a harsh case about midlife malaise and the fragility of civility. The themes center on loneliness, the illusion of control, and the cost of ignoring inner urges that demand attention. Audience reactions ranged from uneasy conversations about personal responsibility to appreciation for Macy's restrained arc.