Edmond Was a Donkey

Edmond sticks out in the workplace, quietly uneasy with the office routine. He goes through the motions, answering emails and joining meetings, yet something about the place never sits quite right with him. One day a prank from coworkers leaves him wearing large donkey ears, a look that instantly marks him as different. In that moment the line between fantasy and reality blurs and Edmond begins to question what his frayed self has become. The story pulls you into a surreal turn where an ordinary desk job exposes the pressure to conform and the price of staying silent. The camera lingers on tiny desk details. Edmond's dilemma resonates with anyone who feels out of place at work. It lingers long.

Directed by Franck Dion, Edmond Was a Donkey arrived in 2012 as a standalone animated short. It presents an original concept crafted by Dion and Kathleen Fee, blending offbeat humor with a dark fable about identity in the workplace today.

Box office data for this short is not publicly reported, reflecting its limited release as an art house animation. It did not have a wide commercial run and remains mostly noted within festival circles worldwide, in cinema programs and limited regional festivals.

There are no major award nominations documented for Edmond Was a Donkey. The film earned attention in art house and animation circles for its inventive premise and concise storytelling, but it did not register in the mainstream awards landscape. Critics praised its restrained, effective visuals.

The film uses a stark, minimal style to probe how people perform in a world that prizes conformity. Edmond's predicament invites reflection on identity and belonging, pairing dry humor with melancholy to leave a quiet impression about being true to oneself. The style invites rereading by viewers of many backgrounds.