Ein Engel und Paul

Marie steps into Pauls world as a radiant and enigmatic presence, drawing a clear line between charm and danger. Paul, a successful lawyer with a steady life and a loving family, finds himself unusually stirred by their meetings. What begins as a magnetic flirtation soon unsettles his routines, pushing him toward consequences he never anticipated. The story traces a man caught between professional discipline and reckless longing, watching his judgments blur as the relationship tightens its grip. The film focuses on the pull of allure and the fragile line separating desire from responsibility, offering a tense portrait of a man pushed to his limits by a mysterious connection that promises both thrill and trouble for him and those around him.

Directed by Manfred Stelzer, this 2002 German drama stars Eva Haßmann and Pierre Besson in central roles. The production emphasizes intimate psychology over flashy spectacle and places the tense moral questions of desire against a contemporary urban backdrop for viewers.

Box office data for Ein Engel und Paul is not widely reported, reflecting its limited release and niche appeal rather than broad commercial success. Availability varies by market, with some regions showing the film primarily on festival or specialty channels.

The title has a modest footprint, mainly lingering in circles that follow German cinema rather than breaking into broader pop culture. It has no widely cited lines or iconic scenes, making it a quiet entry rather than a landmark, relying on implication rather than explicit revelation occasionally by viewers today.

Critics note the film for its restrained mood and solid performances, using quiet dialogue and controlled pacing to probe desire and ethical boundaries. The central dynamic raises questions about temptation, responsibility, and the price of a life that appears flawless at first glance. Critics praise the quiet mood and restraint.