El apartamento de la tentación

Julieta and Alberto seem to have a calm, orderly marriage until Julieta starts to notice odd behavior from her husband. He keeps visiting a veterinary clinic, supposedly to check on animals, but Julieta suspects there is more to those appointments. Her mistrust sparks a series of snooping attempts, overheard conversations, and comic mistakes that make the household tense. As Julieta follows threads of rumor and half-truths, small misunderstandings multiply, dragging neighbors and acquaintances into the confusion. The film keeps the mood light, leaning on farce and mistaken identity while the characters try to sort out what is real and what is imagined.

Released in 1971, the film was directed by Julio Buchs and created from a script by Federico De Urrutia. The cast is led by Carmen Sevilla and Juan Luis Galiardo, with José Sacristán, Antonio Ozores and Helga Liné in supporting roles, placing it within Spain's popular comedy output of the era.

Contemporary box office records for this title are scarce, and it did not register as a major international hit. Available sources do not report reliable worldwide gross figures, so its commercial footprint is considered modest.

Critical responses have been mixed, and modern ratings are limited, with some viewers giving it average marks. The movie plays on themes of marital jealousy, rumor, and social appearances, using brisk comic setups and character-driven misunderstandings rather than darker satire. Performances, particularly by Sevilla, help carry lighter scenes and keep the pace moving.

In terms of cultural footprint, the film has a modest legacy among fans of classic Spanish comedies. It isn't widely quoted, but it reflects the genre conventions of early 1970s Spain, and audiences who follow the careers of the main cast often point to it as a period piece that shows familiar comic rhythms and social manners of its time.