El que con niños se acuesta...

Chón is in love with Rosario, but her parents won't accept him, so the couple flees their provincial town and heads for the capital to seek help from an old friend. Manny, who has become wealthy and runs an orphanage, agrees to assist, yet his generosity comes with a surprise: Chón must take in four children from the institution. The sudden responsibility upends the young couple's plans for a simple life together, mixing awkward domestic moments with tender scenes as they adjust to parenthood, city living, and the expectations of others. The film balances comedic set pieces with emotional beats, keeping the focus on relationships rather than dramatic twists.

Released in 1959, the movie was directed by Rogelio A. González and credits Ulyses Petit de Murat and Carlos A. Petit for the story. It stars Germán Valdés and Lilia Prado, fitting into the era of Mexican studio comedies that showcased popular screen personalities.

Commercial figures for this title aren't well documented, and surviving box office reports are scarce. The picture is better remembered through its cast and place within 1950s Mexican cinema than for any widely reported revenue totals.

Germán Valdés, known as Tin Tan, anchors the film with the kind of comic persona that left a mark on Mexican popular culture, and Lilia Prado's presence reinforces the movie's appeal. While it didn't produce iconic catchphrases that persist today, the film is often cited by fans of the period as an example of lighthearted social comedy that mixed romance, slapstick, and sentiment.

Critical response has been modest, reflected in a current average rating near 6.0 out of 10 from a small number of voters. Viewers and critics tend to note themes of responsibility, social status, and family, and they often single out Valdés' timing and chemistry with Prado as the film's main strengths. The tone shifts between laughable mishap and sincere moments, aiming to entertain while touching on the challenges of sudden caretaking.