Escándalo en la familia

An aging popular singer arrives in a provincial town with her young daughter, hoping to break into the new world of television. She pushes the girl into a talent contest where a top prize promises visibility and a shot at stardom, while rivals and showrunners circle. As the mother manages publicity and rehearsals, a seasoned politician runs a parallel campaign to win the governor's seat, and the two ambitions cross paths in public events and broadcast segments. The film balances backstage confusion, family tensions, and the spectacle of media-driven success, following characters as they maneuver social expectations, loyalty, and the lure of fame without revealing how their choices resolve. It keeps a comic tone while hinting at social satire too.

Released in 1967, the film was directed by Julio Porter and based on a concept by Norberto Aroldi. It stars Niní Marshall with Pilar and Aurora Bayona, and mixes staged performance with on-location shooting common in 1960s cinema and television.

Box office figures for Escándalo en la familia are not widely documented, and contemporary trade reports give limited detail on its commercial reach. It circulated primarily in Spanish-speaking markets and has been maintained more by television showings than theatrical reissues.

Not widely known outside its home country, the film is part of Niní Marshall's later work and is remembered by fans of classic Latin American comedy. Its televised contest scenes and light satirical takes on politicians marked it as a snapshot of 1960s media culture among period collectors and historians.

Contemporary reviews tended to emphasize its comic energy, the mother-daughter dynamic, and its commentary on ambition, fame, and political spectacle. Critics praised performances more than narrative subtlety, noting how the film mixes melodrama and humor to reflect social hierarchies and the growing influence of television on popular aspirations, even today.