Even Lambs Have Teeth

Two young women in a small town endure a pattern of escalating intimidation from a tight circle of local troublemakers. Sloane and Katie become targets not just for their presence but for what the town rewards with silence and complicity. When the harassment crosses into violence, they decide to flip the script, pulling off a dangerous plan that tests nerve, trust, and the idea of safety itself. The pursuit becomes a taut game of cat and mouse, with the girls using their wits to misdirect their tormentors while the town obliviously continues with business as usual. The story keeps the audience guessing about who holds the upper hand and what price comes with revenge.

Directed by Terry Miles, Even Lambs Have Teeth arrived in 2015 as an independent thriller. It appears to be based on an original screenplay rather than adapting preexisting material, and the production leans on mood, performance, and practical effects to create its sense of danger.

Box office details are not widely reported for this title, reflecting its limited release and status as a low budget indie. It likely found its audience through festivals and on demand rather than broad cinema runs.

Not a household name, the film has not left a broad cultural footprint. It sits in the niche of indie horrors that emphasize survival and retaliation over spectacle, with no famous quotes or iconic scenes reaching into mainstream pop culture.

Reception centers on lean pacing and strong performances by Kirsten Zien and Tiera Skovbye, who anchor the film with wary intensity. The movie probes power dynamics, fear, and the cost of fighting back, asking how communities enable abuse and what it takes to reclaim agency when the system fails. Some viewers appreciate the taut focus and atmosphere, while others would like deeper character arcs or more surprising twists.