Finding the End of the World

Jorge is a musician who loses his job while trying to coax a tune out of the city's everyday noise. On that same day his wife and youngest son die, and the sudden loss forces him into a harsh new routine. He keeps up a calm, controlled front so he can care for Lucas, his older child, because if he slips, social services or family pressures might take Lucas away. The film follows Jorge as he balances mourning with the need to be a functioning parent, leaning on sound and silence in ways that affect his relationships and his grasp on reality.

Released in 2022, the film was directed by Fabián Corres and created by Gérard A. Reséndiz and Monserrat Leon Conde. Corres also stars as Jorge, joined by Alba Alonso, Emiliano Corres, Ximena Duggan, and Alberto Guerra, bringing an intimate cast to the small scale production.

The movie had a limited release and did not report wide box office totals. It reached a modest audience through targeted screenings and online platforms rather than a major commercial rollout, so there are no prominent grossing figures to report.

Though not a mainstream title, the picture has sparked conversation among viewers who appreciate understated dramas. Its use of everyday city sounds and quiet domestic scenes sticks with people who follow indie releases, and several viewers have highlighted particular sequences where music and memory intersect as especially affecting.

Critical and audience responses lean positive, reflected in a small but strong average rating. Reviewers and viewers note its focus on grief, parenthood, and the fragile line between sanity and despair, praising the lead performance and the film's restrained approach. The film treats loss and responsibility with restraint, and it centers the sensory world of a musician as a way to reckon with trauma, rather than using dramatic plot turns.