Frequencies

Frequencies follows Zak, a boy of modest means, who falls for Marie, a girl born into privilege, in a world where love prospects are quantified by a measure called frequency. In this alternate reality, every choice from careers to partners is determined by numbers that assign social worth. As Zak and Marie navigate the chasm between their class backgrounds, their forbidden bond tests the rules that keep people apart. The story, anchored by Daniel Fraser as Zak and Eleanor Wyld as Marie, traces their resolve to love despite a system that treats people as data points. Theo, a friend, and Miss Anderson, a society official, illuminate the pressure of conformity and the costs of stepping out of line.

Directed by Darren Paul Fisher, Frequencies released in 2013 and built on an original screenplay. The ensemble features Daniel Fraser as Zak, Eleanor Wyld as Marie, with Owen Pugh as Theo and Emma Powell as Miss Anderson.

Box office data for Frequencies are not widely reported due to its limited release, characterizing it as an indie title. It reached audiences mainly through festivals and on demand platforms rather than wide theatrical grosses.

Cultural discussions around Frequencies focus on its high concept premise and the ethics of a society that quantifies worth. Fans remember the central romance and the visual cues that emphasize class differences, turning the film into a talking point for debates about fate and autonomy. The look of the film, with stark lighting and precise production design, reinforces the division between frequencies and sticks with you after the credits.

Reception tilts toward praise for the performances and the clear-eyed handling of a sensitive topic. The film foregrounds themes of love against rigid social orders, the pressure of conformity, and the price of deviation, delivering a compact sci fi romance with intellectual bite. The finale leaves room for a future where love might challenge the order anew.