Ginebra en los infiernos

Iván and Ginebra cross paths by accident in a Spanish city, and an immediate, intense attraction grows between them. Their fledgling romance gets complicated by Iván's roommate, Toby, an odd boxer who refuses to fight. Toby's constant presence and peculiar fears force the couple to rethink what commitment and intimacy mean, as private desires and daily routines collide. The film keeps its focus on small moments and strained conversations rather than dramatic plot turns, building tension from personality clashes and unspoken expectations without revealing how it ends. Mercedes Juste's Ginebra shows vulnerability alongside a willful streak, while Iván shows restless charm that alternates with insecurity. Scenes often linger on domestic moments, making the small tensions feel larger than their setting.

Released in 1970, Ginebra en los infiernos was directed by Jaime Chávarri and stars Mercedes Juste, Iván Zulueta and Antonio Gasset. It captures an early moment in Chávarri's filmmaking, with a cast tied to Spain's countercultural artists of the time.

Box office details for Ginebra en los infiernos are scarce, and no reliable gross figures are available. The film did not achieve wide commercial exposure on release, and it has remained largely obscure in specialized Spanish film circles since 1970.

Critical response is thin in mainstream records, and the film has few recorded reviews or votes, which makes assessment difficult. The story centers on desire, the strains of shared domestic life, masculine insecurity and the pressures of cohabitation, using quiet scenes and lingering moments to highlight interpersonal imbalance and restraint.

While it never reached a broad audience, the film holds archival interest for students of Spanish cinema and those tracking early careers of its cast and crew. Iván Zulueta's involvement in particular links the title to wider currents in late 20th century Spanish artistic movements, and the movie can reward viewers curious about that scene.