Godzilla vs. Megaguirus

Set in a world where Godzilla keeps returning to drain Japan’s energy, the story tracks the ongoing tug of war between the giant and a country trying to live normally under siege. Researchers unveil the Dimension Tide, an experimental tool meant to erase the beast from existence. The plan relies on cutting Godzilla off from the energy loop that powers his return. But the invention carries a dangerous hook: tapping into other dimensions could awaken a threat far more troubling than the original monster. As colossal clashes erupt and cities brace for impact, scientists and soldiers race to test the device while debating whether humanity should meddle with forces it barely understands. An undercurrent follows the human cost of living with a threat that never truly vanishes, adding a personal layer to the citywide battles.

Masaaki Tezuka directed this 2000 entry in Toho's Godzilla series, with Hiroshi Kashiwabara and Wataru Mimura credited for the story. It belongs to the Millennium era and stars Misato Tanaka as Major Kiriko Tsujimori, a standout performance.

Box office earnings total about 11.07 million worldwide, modest relative to blockbuster Toho releases. The film recouped its roughly 8.3 million budget through global play, reflecting steady but not spectacular commercial return. Its performance helped sustain the Millennium era's tempo of mid-range thrillers for fans.

Megaguirus and Godzilla clash in a design that fans of the era remember for its practical effects and aerial maneuvers. The film helps define the Millennium lineup with a heavier horror edge and science-driven tone, leaving a mark on later kaiju designs and action pacing.

Critically the film drew mixed notes, with praise for action sequences and creature design, while some critics found the premise overcomplicated. Core themes focus on human intervention in nature, the risk of powerful weapons, and the uneasy question of whether defeating a threat creates new ones in the process.