Golden Temple Amazons

Raised among an Amazon tribe that killed her parents, a woman schemes to settle scores with kin. She signs on with an expedition chasing the tribe's hidden golden temple, hoping to force a reckoning from within. The journey threads through jungle as she forges uneasy bonds with a jungle guide, a temple guardian, and a shaman whose powers blur the lines between myth and danger. Along the way the crew faces dangers and rival factions, and the lure of riches, while the protagonist weighs vengeance against the costs of betrayal and loyalty. As she navigates treachery and harsh elements, the line between ally and foe shifts, testing her resolve and ethics of revenge. Friendships are tested when danger closes in.

Directed by Alain Payet and Jesus Franco, the film arrived in 1986 as a European venture mixing adventure with exploitation tropes. The project credits Georges Friedland as creator and features Analía Ivars as the central heroine alongside a seasoned cast including William Berger, set against a lush, perilous backdrop.

Box office data for this title is not publicly documented, and no reliable worldwide figures are readily available. It remains a niche release within the European exploitation circuit, with limited mainstream distribution and a small, dedicated audience and occasional festival screenings.

Within the spectrum of 1980s European exploitation, the title sits among collaborations that fuse pulp fantasy with jungle travelogue. It reflects the era's appetite for exotic settings and taboo intrigue, while Franco's signature provocative edge shapes its rhythm and visual style, attracting a cult audience.

Critical commentary on this title is sparse, but what exists notes a brisk, no frills production that leans into revenge and identity. The film invites viewers to consider loyalty versus vengeance, and to question whether bonds formed under pressure can redeem or condemn the seeker.