Good Bye My Princess

She is the 9th Princess of Western Liang, sent to the Central Plains to seal a political marriage with the Crown Prince. She leaves the life she knows to become Crown Princess, stepping into a palace where power rules and favors shift by the day. The Crown Prince is formidable and wary, his rank earned through sharp calculation, and he keeps a favored concubine as a counterpoint to the life he offers her. In this perilous ecosystem of alliances and betrayals, their paths cross again and again, stirring memories that may reshape a crumbling dynastic order. Beneath the gilded surface lies a history that could topple the throne.

Directed by Li Muge, Good Bye My Princess released in 2019. It is created by Fei Wo Si Cun along with Yihan Wang and Jue Qian, signaling a romance driven project rooted in Fei Wo Si Cun's literary voice. The production leans into period aesthetics and brisk dialogue that balance political intrigue with intimate stakes.

Critics note a tense political backdrop and a romance shaped by duty and personal choice. The show centers on how court power and family obligations steer relationships, with shifting loyalties and quiet moments that test trust. It echoes a tradition of empire scale drama while keeping the focus on two people trying to find room for themselves.

Even with a modest footprint, the series has a small online following among fans of Fei Wo Si Cun adaptations, fueling conversations about imperial power dynamics and the costs of love when duty wins. Viewers discuss character arcs, rival factions, and the way memory surfaces as a weapon or a solace, turning the romance into a lens on history. The love story unfolds against banners and drums, and a court that never stops watching. Its outcomes feel earned rather than predictable.