Grace

Grace unfolds through the camera's eye as a naive college freshman trying to fit in, while her outspoken roommate challenges her boundaries. The story stays firmly in Grace's perspective, so we hear her thoughts and see events through her experiences. An unseen force begins to inhabit her body, turning ordinary days into unsettling episodes as friends notice odd shifts in her mood and actions. The tension grows with intimate encounters on dorm stairs and in classrooms, as Grace fights to hold on to herself. What begins as everyday campus life spirals into a chilling clash of control and danger. The result is a tense look at identity under pressure and fear.

Grace, released in 2014, was directed by Jeff Chan and Chris Paré with Peter Huang contributing to the concept. The film is an original screenplay rather than an adaptation, crafted as a compact indie thriller, built around a tight budget and practical effects to heighten realism and tension.

Box office details are not widely reported because the film had a limited release and small distribution, making worldwide numbers difficult to verify, and it primarily found audiences through festivals, on demand, and online platforms. This reflects its indie niche rather than a broad theatrical push.

Grace may not be a mainstream hit, but its tight first-person perspective heightens paranoia and disorientation. Alexia Fast anchors the proceedings with restraint, Lin Shaye lends steady credibility in a strong supporting role, and the film has a modest presence in streaming discussions and fan forums.

Critics were divided about the film's experimental approach; some praised the claustrophobic intimacy and Grace's struggle with control, while others found the POV device repetitive. The discussion centers on autonomy and campus life, and Grace leaves a lasting impression by proving intimate horror can be deeply personal and unforgettable.