Hanna

Hanna grows up in isolation with her father, an ex CIA operative, who drills her to move with surgical precision in the Finnish wilderness. He believes the moment will come when she must act without hesitation, and she learns weapons handling, tracking, and stealth. When he sends her into Europe on a mission, she threads snowy forests into crowded cities while staying one step ahead of pursuers. A relentless intelligence operative closes in, turning the chase into a high-stakes game across borders. Along the way she meets ordinary people who test her assumptions and begins to question the myths she was raised with. The road promises hard truths and new risks around every corner. Each checkpoint challenges her training and forces choices that blur the line between student and weapon.

Directed by Joe Wright, Hanna arrived in 2011 with an original screenplay by Seth Lochhead and David Farr. The film blends high intensity chase sequences with a coming of age angle, set against stark Nordic woods and urban Europe.

Worldwide gross stood at roughly $63.8 million on a $30 million budget, marking a solid return for a stylish globe-trotting thriller that plays with espionage tropes. It performed particularly well in the UK and parts of Europe, underscoring the film's international appeal.

Critics highlighted Saoirse Ronan's quiet precision as Hanna and praised the film's brisk pace, stylish action, and stark visuals. The story probes identity and autonomy, weighing nurture against nature and asking how far someone should go to define who they are.

Hanna fits into a wave of European spy thrillers that emphasize a young lead navigating grown up danger. Its stark mood and practical stunt work left a mark on genre fans and helped fuel conversations about female protagonists in action cinema. The film remains a reference for female-led thrillers.