Hay que educar a papá

On the surface a young woman plans to marry into an aristocratic family, hoping a marriage to the earl's son will lift her life. Behind that wish lies a comic collision of worlds: the village has suddenly become prosperous after selling its land, and the newly rich locals carry new rules and pretensions. She believes that refashioning her own parents and neighbors will prove her worth and secure the engagement. What unfolds is a lighthearted look at class, manners, and small town pride as everyone negotiates new comforts and old habits, without losing the quirks that define them. Old feuds soften as dinner tables become stages for new manners. Neighbors test boundaries, while affection and pride tug in opposite directions.

Released in 1971, Hay que educar a papá was directed by Pedro Lazaga Sabater. The screenplay credits go to Vicente Coello, José Fernández del Villar and Paco Martínez Soria, who also stars in the lead role.

Critically the film sits comfortably in the light comedy tradition of its time, balancing wry commentary on social climbing with affectionate portraits of family life. It treats class mobility not as threat but as a source of humor and character growth, highlighting how tradition and aspiration collide and warmth shines.

Box office data for Hay que educar a papá is not widely documented, reflecting its status as a domestic humor piece from the era rather than a global hit. What survives is its reputation among fans of classic Spanish cinema.

Culturally the film captures a moment when rural communities contend with sudden wealth and new manners, a theme common in early 70s Spanish comedies. While not cited as a landmark, it offers a window into pop culture of the era and the light hearted way audiences enjoyed social satire today.