Here After

Claire, a devoted mother, watches her teenage daughter crumble after a near fatal incident. Disturbing episodes, eerie silences, and sudden bursts of aggression raise alarm at home and in school. As the family tries to restore a sense of safety, Claire becomes convinced that the girl has brought back something sinister from the other side. Luca, a local friend, and Dr. Ben Romano contribute to the mounting tension with their own theories as strange signs accumulate around the house. The mother's protective instincts collide with scientific doubt when they weigh in, heightening tension. This tight, windswept thriller leans on dread rather than gore, letting quiet conversations and chilling glimpses do the heavy lifting. The result is a claustrophobic mood that probes grief, motherhood, and the price of curiosity.

Here After is directed by Robert Salerno with an original screenplay by Sarah Conradt, released in 2024. The film favors intimate performances and restrained dread over splashy spectacle, using close-ups and quiet scenes to build unease. Its cinematography uses muted tones and tight frames to emphasize isolation.

Box Office data for Here After has not been publicly disclosed. The film appears to have had a limited release and a modest footprint in the horror thriller market, with no widely reported worldwide gross.

There are no major awards publicly announced for Here After. The film's profile remains modest, though some viewers may appreciate Connie Britton's nuanced portrayal of a mother under strain and the film's emphasis on atmosphere over gore. Critics have noted the restraint of the storytelling and the way sound design heightens tension.

The movie explores grief, maternal protection, and the line between trauma and the supernatural. Its tension comes from mood, sound design, and restrained performances rather than obvious shocks, inviting viewers to question what returns after a near death and what a parent will risk. The performances anchor the film as the mystery deepens, with Britton conveying a quiet desperation that keeps the audience guessing about what is real.