I'm Still Here

In 1971 Brazil, a woman wakes to a life that has been violently upended when her husband, a former politician, is taken away during the military regime. The film follows how she reshapes daily routines, protects her children, and carves out a new sense of purpose while the state imposes fear and silence. Instead of focusing on a single event, the story shows the slow, practical shifts people make to survive political repression, and how private grief and public danger weave together in ordinary moments.

Directed by Walter Salles and released in 2024, the screenplay was written by Marcelo Rubens Paiva, Murilo Hauser, and Heitor Lorega. The production leans on strong period detail to evoke early 1970s Brazil, and it features an ensemble of acclaimed Brazilian actors brought together under Salles' steady hand.

Critics and audiences have given the film generally positive marks, reflected in a vote average near 7.9 out of 10 from hundreds of viewers. Reviews single out the performances by Fernanda Torres and Fernanda Montenegro as emotionally precise, with Selton Mello adding depth. The film draws attention for its measured pacing and intimate focus, emphasizing how political violence reshapes daily life rather than relying on spectacle.

Since its release, the movie has prompted renewed conversations about historical memory and how families continue to live with the consequences of state repression. Scenes of quiet resistance and domestic adaptation have been cited in essays and discussions about Brazil's past, and the performances are already being referenced when people talk about recent films that revisit the dictatorship era.

Information about major awards or nominations is not widely reported at this time. Early coverage has emphasized the film's acting and direction, and it has attracted attention from critics and film writers who highlight its thematic focus on resilience, memory, and the private costs of political turmoil.