I Married a Witch

An ancient witch reappears with mischief on her mind, targeting the descendant of a Puritan witch hunter who once burned her. Her arrival collides with a stubborn family legacy and unsettles a modern town with charms and curses. The witch finds herself unexpectedly drawn to a man whose life stands in defiance of the long century old feud that surrounds him. As her spells ripple through everyday affairs, she discovers that attraction has a stubborn logic of its own, one that could overturn old prejudices as well as pride. The flirtation is playful at first, but it hints at something deeper, a possibility that true happiness can bloom even where fear once took hold.

Released in 1942, I Married a Witch was directed by René Clair. It brings together a story credited to Thorne Smith with screenwriting by Robert Pirosh and Marc Connelly, producing a witty blend of romance and supernatural comedy. The film showcases stylish art direction and Monopoly era humor, reflecting its studio's commitment to light, clever fantasy.

Box office figures for this film are not included in the available data and contemporary records do not present a clear worldwide tally. What is documented is its status as a mid century novelty rather than a blockbuster.

Veronica Lake and Fredric March bring the film a marquee charm that helped define early 40s fantasy comedies. Clair uses inventive visuals and brisk pacing to fuse spellwork with screwball timing, producing moments that still circulate in clips and nostalgia rounds.

Critics at the time praised its playful tone and the chemistry between Lake and March, while readers later noted the movie as a breezy collision of romance and fantasy. The film quietly asks whether love can soften the boundaries between superstition and modern life. Its bright visual gags and witty dialogue remain memorable.