Josie

Baymont is the kind of town where everyone knows everyone, and rumors move faster than the traffic. A new arrival named Josie rolls in with bold ink and a silver tongue, turning heads as she crosses the threshold. She quickly becomes the center of a gossip mill that thrives on curiosity and judgment. Josie begins courting two locals, the tattooed Gator and the withdrawn Hank, drawing both attention and unease from those who know the town best. As her presence unsettles routines and old alliances, the surface of Baymont starts to crack. Secrets, flirtation, and danger mingle in the air, and what begins as intrigue slides toward something more menacing. As the dust settles, neighbors exchange hushed theories and the sheriff keeps a wary eye on the new arrival.

Josie arrived in 2018, directed by Eric England with a screenplay by Anthony Ragnone II. The film presents an original story, anchored by Sophie Turner in the title role and supported by Dylan McDermott and Jack Kilmer. Daeg Faerch and Lombardo Boyar also contribute memorable turns.

Box office data for Josie is not widely reported, reflecting a limited release and modest footprint. Public records offer no readily published grosses, which keeps its commercial performance hard to gauge. It fits the indie thriller mold with a restrained budget and a focus on mood rather than action, a choice that aligns with the film’s intimate setting and character driven tension.

There were no notable awards or nominations attributed to Josie in major databases. While the cast delivers steady work, the project did not become a prestige contender; still, some reviewers highlighted Turner's charisma and the film's tense mood as its strengths. The absence of major prizes does not erase the film’s compact ambitions or the way it uses a single visitor to unsettle a town.

Critics describe a tense mood piece that uses a glamorous outsider to expose small town dynamics, gossip, and power. Turner's performance helps drive the film, while the screenplay leans into atmosphere over spectacle, letting consequence and risk feel real in a tight community. The film also raises questions about redemption and accountability in close quarters.