Killing Faith

Set in the blistering summer of 1859, a grieving physician agrees to guard and guide a recently freed enslaved woman and her enigmatic pale daughter on a perilous five day traverse across a brutal frontier. Their goal is to reach a distant town rumored to host a Faith Healer. The woman insists the child is tormented by possession, while the doctor believes she carries a hidden contagion he calls The Sickness. Whatever the girl touches proves deadly, and the cost of mercy rises with each mile. As danger closes in, faith, trust, and a bleak sense of duty test their endurance and resolve. Their fragile alliance teeters as old grievances and new truths emerge.

Production notes describe Killing Faith as an original concept by Ned Crowley with a seven million dollar budget. The cast includes Guy Pearce, DeWanda Wise, Bill Pullman, Raoul Max Trujillo and Ryan de Quintal, while the directing credit has not been publicly announced. The project signals a tactile, morally probing thriller set in the 1850s.

Box office details have not been publicly released, reflecting a modest indie scale and possible festival or limited theatrical exposure. No worldwide grosses are cited in available data, and distribution plans beyond the initial release are not disclosed. Industry chatter suggests a selective rollout to capitalise on festival or limited theatrical exposure, but no concrete grosses have been released. The absence of numbers makes initial reception difficult to gauge, though distributors may weigh streaming windows as a key path to audiences.

As of now no major nominations or awards are listed for Killing Faith. Some outlets note the performances and production values as potential talking points for festival juries, but formal recognition will depend on future screenings and critical visibility, not current announcements.

Reception notes, where available, point to a tense mood and strong acting from Pearce and Wise, with the Western setting intensifying questions of trust and responsibility. The film probes how belief shapes choices when illness and slavery meet frontier justice, asking whether mercy can survive in a dangerous world.