King of New York

After serving time, Frank White returns to a city that trembles under his former empire. He launches a ruthless bid to wipe out rivals and reclaim control of the narcotics trade, all while promising to funnel profits to New York's disenfranchised neighborhoods. The plan sets off a violent power struggle among the underworld, furious cops, and ambitious lieutenants who see a chance to seize the throne. This is not a simple tale of crime and revenge but a stylish portrait of a man who treats the city as his territory and a stage for his own brutal code. The film mines neon grit and electric tension while keeping twists under wraps. The city feels alive and dangerous and buzzing tonight.

Directed by Abel Ferrara and written by Nicholas St. John, King of New York arrived in 1990 as an original screenplay not based on a novel or play. The cast includes Walken, Caruso, Fishburne and Snipes, delivering a sharp ensemble.

The film grossed about 2.55 million worldwide, a modest take given its budget of roughly 5.3 million, reflecting its status as a cult favorite for its audacious style and provocative violence that has kept audiences talking in the cult circuit.

Walken's presence and Ferrara's brisk urban style gave the film a lasting edge in crime cinema. The mix of flashy violence, moody atmosphere, and murky ethics continues to echo in later urban thrillers and in debates about how power is portrayed on screen. The film's audacity still inspires directors today.

Critics recognized its bold style and Walken's performance, offering a mixed verdict on the story's moral stance. The film probes power, greed and class, asking whether vigilante justice can truly aid a city and at what price. Some hailed its energy. Many viewers remember its blunt closing attitude toward authority.