Knight Hunters

Knight Hunters centers on four professional assassins who conceal their trade by running a modest flower shop called Kitty in the House. They handle everyday shop duties while juggling assignments from their organization, Weiß, blending mundane routines with clandestine planning and fieldwork. Episodes alternate between mission sequences and quieter moments behind the counter, showing how the characters mask violence with smiles and small talk. As they carry out contracts, personality clashes, hidden histories, and differing moral views create friction within the team, so the focus stays on relationships and consequences rather than leaning on a single mystery or twist.

Released in 1998, Knight Hunters was directed by Kiyoshi Egami and presented as an animated drama-action series. The main voice cast includes Shin-ichiro Miki, Tomokazu Seki, Hikaru Midorikawa, Takehito Koyasu, and Hiro Yuuki, and the show mixes kinetic fight scenes with quieter character moments in a compact episodic format.

There are no widely recorded major awards or notable nominations associated with Knight Hunters. It does not appear in prominent anime award listings, and available documentation suggests it did not receive mainstream prize recognition during its release window or in retrospective coverage.

Knight Hunters did not break into broad pop culture, but it holds a small niche presence among collectors of late 1990s anime and fans who follow the careers of prominent Japanese voice actors. While it lacks iconic catchphrases or viral moments, the show is sometimes mentioned in discussions of underrated or obscure period pieces that paired action with domestic covers.

Critical and audience reception is difficult to gauge, with little review data and a recorded vote average of 0.0 out of 10 indicating minimal polling rather than clear praise or condemnation. Thematically, the series wrestles with identity, loyalty, secrecy, and the tension between ordinary life and professional violence, favoring character-driven episodes and moral ambiguity over tidy resolutions.