La Condition

"La Condition" presents a slice of life inside a Paris apartment in 1908, where a young maid named Celeste tends to Victoire and Andre. Celeste's days are framed by ledger, chores and quiet attentions, while Victoire plays the role of a devoted wife who struggles to inhabit the ideal she has in mind. The two women, so different in temperament and class, share a roof that becomes a stage for unspoken rules and small rebellions. Over the course of ordinary hours, private desires brush against public expectations, and the house becomes a space where duty and longing rub against each other. The story avoids sensational twists, instead tracing the subtle shifts that test trust, loyalty, and the boundaries that separate employer from servant, wife from companion. Its texture comes from small details: a glance across a room, a shared cigarette, a meal eaten in quiet contention, all building a sense of lived history. The mood is measured and humane, inviting viewers to observe how people negotiate power through care rather than confrontation.

Directed by Jerome Bonnell with a concept by Leonor de Recondo, La Condition positions itself as a restrained period drama. Its strength lies in intimate performances that reveal the friction of class and female desire.

Box office data for La Condition has not been publicly disclosed, and there are no reported numbers indicating its worldwide grosses or commercial impact at this time.

As a new title, its cultural footprint is still taking shape. The film's clean visuals and careful portrait of a household in 1908 may spark conversations about gender roles, memory, and the quiet ways women influence life behind closed doors.

Critically, the film is likely to be read as a precise study of power and companionship within a rigid social frame. Central themes include autonomy, duty versus desire, and the friction that arises when two generations of constraint share a space.