Last Shadow at First Light

Ami is tormented by recurring visions that feel more like warnings than dreams. She leaves Singapore behind and travels toward Japan in search of her mother, who disappeared years ago. On the road the city lights melt into landscapes that shift with her mood, turning highways into rivers of memory and fog into questions about what really happened. Along the way she encounters a small circle of characters, including Isamu and Satomi, who seem to know more than they say about the family she seeks. As Ami confronts the apparitions that pace her steps, the truth begins to take shape in the spaces between sleep and waking. The film keeps the pace measured, letting quiet moments carry emotional weight throughout.

Directed by Nicole Midori Woodford, the film unfolds from an original screenplay by Woodford, weaving memory, migration and mother daughter ties into a quiet, atmospheric drama about searching for belonging. The production emphasizes intimate performances and a restrained, naturalistic look.

Box office data for Last Shadow at First Light has not been publicly released, and the film, released in 2025, has not yet reported a worldwide gross. Industry chatter notes an intimate release strategy and potential festival appeal.

Early reception is modest with a 6.0/10 average from a single rating, signaling cautious viewer interest. The movie probes memory, maternal ties and identity, using shifting landscapes and nocturnal visions to map Ami's inner landscape as she moves between Singapore and Japan. It invites discussion about memory.