Left-Handed Girl

Three women chase a brighter start when a mother moves with her two daughters to Taipei to open a noodle stall in a buzzing night market. The city offers opportunity, but the plan tests their bonds as they balance recipes, customers, and a new rhythm of life. In the crowded lanes the women negotiate tradition with adaptation while facing memories that surface in conversations, scents, and late night bustle. The fresh environment is at once a chance and a pressure cooker, pushing them to decide what to carry forward and what to leave behind as they carve out a new home. The more they learn about the market and each other, the clearer it becomes that food is as much about memory as it is about sustenance.

Directed by Shih-Ching Tsou with a concept from Sean Baker, Left-Handed Girl presents a quietly tense drama set amid Taipei's neon night markets. Casual observations from the bustling stalls and the crew's sensitive performances lend texture to a story about family, work, and resilience.

Box office details are not publicly disclosed and no worldwide gross is listed at this time, reflecting the film's current early release status and limited public box score data. Some markets may see it as a festival friendly title with limited mainstream reach.

The film holds a 7.4 out of 10 from 99 votes, indicating generally favorable reception among viewers. Its themes center on migration and city life, the tug of family tradition, and the pressure of starting over in a place that never stops. The performances by Shih Yuan Ma, Janel Tsai, and Nina Ye ground the drama in lived experience, while the Taipei setting acts as a character in its own right.

No major awards listed for Left-Handed Girl at this time. Critics have noted the film's restrained approach to family drama and the way it uses Taipei's night market setting to echo interior conflicts. As more festivals roll in and the release expands, awards conversations may arise around its performances and direction.