Les Infortunes de la beauté

Three friends chase love and wrestle with what beauty means in a breezy Paris setting. Daphne is a striking woman who doubts her own appearance, while she falls for Vincent, a guy who only dates models. Céline, her best friend, comes up with a plan: Jacques will paint a nude portrait of Daphne. When Vincent sees the painting, the idea is that he’ll be drawn to the image and the model behind it rather than the woman she is. But the scheme quickly becomes tangled as desire, vanity and real affection collide. The film follows their missteps and flirtations as they renegotiate friendships, attraction, and the elusive line between look and love, all wrapped in a light comedy tone today.

Directed by John Lvoff, the movie arrives from Laure Massenet and Frédéric Beigbeder as its creative minds, adapting a sly take on beauty and desire. Released in 1999, it pairs a stylish ensemble with witty banter and Parisian ambience throughout.

Box office data for this title is not widely publicized, reflecting a modest release and limited international distribution. There are no cited grosses or ranking figures, which suggests it did not become a major crowd pleaser at the box office.

There are no notable awards or nominations recorded for Les Infortunes de la beauté in major databases. The film did not vie for Oscars, Emmys, or Golden Globes, and its reception remained within the French or art-house circuits, if noted at all. Some viewers may find it light yet charming.

Critical notes on this title are scarce, but readers often point to its light briskness and its poke at how society defines beauty. The film toys with romance and vanity without becoming mean; it stays playful while probing whether attraction can outpace appearances. Its playful tone keeps it breezy throughout.