Like In Venice

On his thirtieth birthday Petr Maslov, a tired event planner, is handed a bizarre ultimatum from a powerful oligarch. Anton Orekhov wants his wife celebrated that very day with a Venice style spectacle grand, despite being thousands of miles away from the real city sea. The plan leans on a masquerade, floating gondolas, and a parade of bright costumes, all staged on the Gorki estate near Moscow. Petr and his crew scramble to assemble the impossible, juggling a never ending stream of last minute edits, wild tastes, and contradictory instructions from the couple. As pressure mounts, the team becomes trapped in a spiraling sequence of demands that mixes glamour with chaos and a sharp bite of social satire, testing loyalties.

Vasily Zorky directs from an original script by Polina Vedenyapina, released in 2021. The film deftly folds a tense urban drama into a lavish birthday spectacle, offering a pointed look at performance under wealth driven demands and social expectations today.

Box office data for Like In Venice has not been publicly disclosed, and there is no widely documented worldwide gross to report. The film appears to have a niche release rather than a blockbuster run and industry chatter outside globally.

Cultural impact so far is modest, with the film primarily circulating in festival circuits and streaming platforms. Its Venice inspired visuals and backstage chaos echo a wider taste for satirical takes on wealth and performance, resonating with viewers who enjoy insider glimpses. It may influence peers and aspiring organizers worldwide.

Reception frames the movie as a brisk if confrontational look at how power and money tighten the screws of a celebration. The main themes revolve around control, artistic integrity under pressure, and the blurring line between spectacle and exploitation, all seasoned with dry humor that lingers in select markets today.