Memory

Alex Lewis makes his living on dangerous contracts, but when he balks at another hit for a ruthless crime league, the kill list widens against him. He finds himself dodging agents of both organized crime and law enforcement, yet his toughest obstacle isn't the hunters chasing him. A severe memory disorder gnaws at every choice, turning familiar settings into uncertain ground and muddying loyalties. With fragments of his own past slipping away, Alex must rely on instincts more than evidence, read people carefully, and decide who can be trusted. As the chase accelerates, the truth hides behind scrambled recollections, threatening to rewrite everything he believes. The chase spills into neon drenched streets and dim alleys, heightening the tension. That blend keeps the outcome uncertain.

Directed by Martin Campbell, Memory marks a return to lean thriller storytelling with punchy action sequences and a gritty, grounded tone. The screenplay, credited to Dario Scardapane and Jef Geeraerts, balances momentum with character driven tension through crisp dialogue and practical stunts.

Memory did not receive major award nominations. Critics offered mixed responses, noting Liam Neeson's steady screen presence and the film's brisk pacing, while others argued the story relies on familiar genre mechanics rather than fresh ideas. The result is a watchable but conventional thriller.

Memory has not sparked a lasting cultural moment. There are no iconic lines or scenes that recur in memes, and its influence remains limited to fans of the genre. It sits with mid range thrillers rather than redefining them, leaving only a modest footprint.

Reception centers on memory as unreliable perception and the constant pressure of being chased. Critics highlight the cat and mouse dynamic, moral ambiguity, and how memory loss amplifies suspicion, while some feel the premise relies on familiar thriller tropes. It feels familiar, but effective.