Mira

In a near future Vladivostok, a fifteen year old girl named Lera Arabova shares a fragile life with her father, who has spent years aboard the orbiting space station Mira. Their bond survives only through phone calls and the occasional glimmer of data from space. When a meteor shower pounds the city, Lera discovers she must act quickly to protect those she loves, drawing on courage she didn't know she had. Her father becomes a constant guide from above, delivering directions through satellite links and distant messages, turning a tenuous line of communication into a lifeline. He monitors the unfolding crisis from the station while she handles danger on the ground.

Directed by Dmitry Kiselev, Mira (2022) comes from writers Timofey Dekin, Ekaterina Mavromatis, and Sergey Kaluzhanov. The film features Anatoliy Belyy, Darya Moroz, Veronika Ustimova, Maksim Lagashkin, and Evgeny Egorov in its principal roles. The budget sits at 6,042,800 dollars, anchoring a compact science fiction drama from a Russian production team.

The film centers on the power of distant bonds and quick thinking under pressure. It probes how technology shapes care and control when a family is forced to confront danger together, despite the split between a girl on the ground and her father in orbit. It also raises questions about privacy and surveillance as satellites become both lifelines and watchful eyes, complicating trust and responsibility in a world where communication spans space.

Box office data for Mira is not publicly reported, and the film appears to have had a limited release. It seems to have aimed for a modest audience rather than a wide international rollout.

As of now there are no widely reported major award nominations for Mira. The film is better seen as a focused regional sci fi drama that highlights family ties and the human cost of space age technology rather than chasing awards.