Monday

On a Friday night two strangers meet and spark a feverish connection that seems to promise nothing but fun. Mickey, a charming American played by Sebastian Stan, and Chloe, a sharp, guarded woman brought to life by Denise Gough, are drawn into a weekend of bold closeness that feels reckless and exhilarating. They share late night conversations, playful laughter, and intimate moments that blur the line between casual fling and something more meaningful. The film follows how fast chemistry can ignite and how quickly reality presses in, asking whether a powerful attraction can survive the shift from freedom to responsibility when Monday arrives.

Released in 2021 and directed by Argyris Papadimitropoulos, Monday stems from an original script by Rob Hayes. The film blends drama and romance as a weekend romance tests both characters' boundaries and expectations, forcing them to confront what they truly want in life and in each other, beyond convenience or flirtation.

Box office data for Monday is not widely reported, reflecting its limited release and artisanal audience. The film found its footing primarily through streaming platforms and select theaters, accumulating interest for its performances and intimate storytelling rather than broad commercial impact. Its niche appeal has made it a favorite in festival circuits that value character driven romance and grounded performances.

Reception highlights the chemistry between Stan and Gough and the film's candid treatment of attraction and vulnerability. Critics describe a brisk, intimate tempo and a willingness to linger on small, human moments rather than glossy spectacle. Some reviewers note uneven pacing in places and a few stretches of melodrama, but many praise the honesty with which the movie treats desire, loneliness, and the pressure to convert a temporary spark into something lasting. The result is a character driven romance that feels earned through dialogue, restraint, and a direct, unfiltered look at adult relationships.

Awards: No major nominations are listed in widely available records, suggesting the film didn't become a staple on the awards circuit.