Mother

Diana, a pregnant woman caring for her son who has developmental challenges, hits a breaking point under the constant strain of caregiving. A caregiver from the Philippines arrives to lend a hand and bring a sense of relief to their crowded home. At first the changes she introduces seem to help, and the boy makes quicker progress than ever before. Yet Diana cannot shake the uneasy feeling that something is off about the new helper and the sudden freshness in their routine. As the tension grows, she starts to suspect that hidden forces might be at work and that trust could come at a dangerous price. The film builds pressure through claustrophobic spaces and quiet, escalating dread as if watched.

Directed by Aaron Burns, Mother released in 2016 as a thriller. It appears to be an original screenplay rather than an adaptation, focusing on intimate family strain and the unsettling dynamics sparked by a new caregiver. Its tone stays restrained.

Box office data for this title is not widely reported, and there are no public figures to cite. It appears the film circulated primarily through festivals and limited releases, without a broad commercial rollout or high profile wide domestic exposure.

While not a mainstream hit, the movie finds small but attentive niche among fans of atmospheric thrillers. It prompts conversations about care work and the anxiety of inviting outsiders into the home. The pacing gives room for hidden tensions to surface, turning ordinary days into a threat for viewers.

Critics describe a lean suspense that leans toward mood rather than explicit shocks. The film explores maternal fear, trust, and the uneasy mix of help and intrusion when private life becomes a public issue. Its restraint invites discussion about how far care should go and at what point help becomes surveillance.